
“Diego and I,” oil on masonite, self-portrait (with forehead portrait of Diego Rivera) by Frida Kahlo, 1949; in the gallery of Mary-Anne Martin/Fine Art, New York City
In 1925, when she was still at school, she suffered appalling injuries in a traffic accident, leaving her a permanent semi-invalid, often in severe pain. During her convalescence she began painting portraits of herself and others. She remained her own favourite model and her art was usually directly autobiographical: ‘I paint myself because I am so often alone and because I am the subject I know best.’ In 1928 she married Mexico's most famous artist, Diego
Rivera, who was twice her age and twice her size. Their relationship was often strained, but it lasted to her death, through various separations, divorce and remarriage (1939–40), and infidelities on both sides (one of her lovers was Leon Trotsky, who was assassinated while living in Mexico City in 1940). Kahlo was mainly self-taught as a painter. She was influenced by Rivera, but more by Mexican folk art, and her work has a colourful, almost
naive vigour, tinged with
Surrealist fantasy. Her paintings of her own physical and psychic pain are narcissistic and nightmarish, but also—like her personality—fiery and flamboyant. They were widely shown in Mexico and she had successful exhibitions in Paris and New York in 1938 and 1939 respectively, but during her lifetime she was overshadowed by her husband. Since her death, however, her fame has grown and she has become something of a feminist heroine, admired for her refusal to let great physical suffering crush her spirit or interfere with her art and her left-wing political activities. --
Frida Kahlo Biography